{"id":112059,"date":"2026-07-26T06:00:10","date_gmt":"2026-07-25T21:00:10","guid":{"rendered":"https:\/\/thekoreantoday.com\/jongno\/2026\/07\/26\/gap-go-the-gioi-nghe-thuat-cua-kim-eun-sil-tai-venice\/"},"modified":"2026-07-26T06:00:12","modified_gmt":"2026-07-25T21:00:12","slug":"gap-go-the-gioi-nghe-thuat-cua-kim-eun-sil-tai-venice","status":"publish","type":"post","link":"https:\/\/thekoreantoday.com\/jongno\/2026\/07\/26\/gap-go-the-gioi-nghe-thuat-cua-kim-eun-sil-tai-venice\/","title":{"rendered":"G\u1eb7p g\u1ee1 th\u1ebf gi\u1edbi ngh\u1ec7 thu\u1eadt c\u1ee7a Kim Eun-sil t\u1ea1i Venice"},"content":{"rendered":"<\/p>\n

Tri\u1ec3n l\u00e3m \u0111\u1eb7c bi\u1ec7t t\u00f4n vinh ngh\u1ec7 thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i H\u00e0n Qu\u1ed1c mang t\u00ean ‘Traces of Water’ s\u1ebd di\u1ec5n ra t\u1eeb ng\u00e0y 15 \u0111\u1ebfn 22 th\u00e1ng 7 t\u1ea1i ph\u00f2ng tr\u01b0ng b\u00e0y Art Depot ai biri, th\u00e0nh ph\u1ed1 Venice, \u00dd. \u0110\u00e2y l\u00e0 tri\u1ec3n l\u00e3m \u0111\u1eb7c bi\u1ec7t c\u1ee7a c\u00e1c ngh\u1ec7 s\u0129 H\u00e0n Qu\u1ed1c nh\u00e2n d\u1ecbp Venice Biennale, quy t\u1ee5 h\u1ecda s\u0129 Kim Eun-sil c\u00f9ng 20 ngh\u1ec7 s\u0129 kh\u00e1c theo l\u1eddi m\u1eddi c\u1ee7a L’OIL (Nine Gallery, gi\u00e1m \u0111\u1ed1c Yoon Mi-hoo).<\/p>\n<\/p>\n\n\n\n
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\"H\u1ecda<\/div>\n

[\ucf54\ub9ac\uc548\ud22c\ub370\uc774] H\u1ecda s\u0129 Kim Eun-sil<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

V\u1edbi ch\u1ee7 \u0111\u1ec1 “T\u00f4i v\u1ebd k\u00fd \u1ee9c kh\u00f4ng ph\u1ea3i nh\u01b0 h\u00ecnh \u1ea3nh c\u1ee7a qu\u00e1 kh\u1ee9, m\u00e0 nh\u01b0 nh\u1eefng l\u1edbp c\u1ea3m x\u00fac”, h\u1ecda s\u0129 Kim Eun-sil ti\u1ebfp t\u1ee5c h\u00e0nh tr\u00ecnh s\u00e1ng t\u00e1c c\u1ee7a m\u00ecnh b\u1eb1ng c\u00e1ch l\u1ea5y nh\u1eefng v\u1eadt d\u1ee5ng \u0111\u1eddi th\u01b0\u1eddng nh\u01b0 qu\u1ea7n jeans, \u00e1o thun l\u00e0m ch\u1ea5t li\u1ec7u, th\u1ec3 hi\u1ec7n d\u1ea5u v\u1ebft th\u1eddi gian qua c\u00e1c l\u1edbp acrylic ch\u1ed3ng l\u00ean nhau. Trong t\u00e1c ph\u1ea9m tr\u01b0ng b\u00e0y l\u1ea7n n\u00e0y, m\u00e0u s\u1eafc r\u1ef1c r\u1ee1 c\u1ee7a acrylic c\u00f9ng k\u1ebft c\u1ea5u ch\u1ea5t li\u1ec7u \u0111\u01b0\u1ee3c th\u1ec3 hi\u1ec7n s\u1ed1ng \u0111\u1ed9ng tr\u00ean v\u1ea3i denim, k\u1ebft h\u1ee3p v\u1edbi nh\u1eefng v\u1ebft loang v\u00e0 c\u00e1c t\u1eeb ng\u1eef li\u00ean quan \u0111\u1ebfn ch\u1ee7 \u0111\u1ec1 t\u00e1c ph\u1ea9m, m\u1edf r\u1ed9ng k\u00fd \u1ee9c c\u00e1 nh\u00e2n th\u00e0nh kh\u00f4ng gian c\u1ea3m x\u00fac \u0111\u01b0\u1ee3c chia s\u1ebb c\u00f9ng ng\u01b0\u1eddi xem.<\/p>\n<\/p>\n\n\n\n
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\"D\u1ea5u<\/div>\n

[\ucf54\ub9ac\uc548\ud22c\ub370\uc774] D\u1ea5u v\u1ebft th\u1eddi gian kh\u1eafc tr\u00ean v\u1ea3i denim<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Trong t\u00e1c ph\u1ea9m g\u1ea7n \u0111\u00e2y ‘#the youth’, n\u1eef h\u1ecda s\u0129 ch\u1ecdn m\u00e0u xanh l\u00e0m m\u00e0u s\u1eafc l\u01b0u gi\u1eef h\u01a1i \u1ea5m c\u1ee7a tu\u1ed5i tr\u1ebb, th\u1ec3 hi\u1ec7n c\u1ea3m x\u00fac tr\u01b0\u1edfng th\u00e0nh, hoang mang v\u00e0 t\u1ef1 do qua nh\u1eefng gi\u1ecdt n\u01b0\u1edbc r\u1ea3i r\u00e1c kh\u1eafp b\u1ee9c tranh. B\u00e0 v\u1ebd n\u00ean nh\u1eefng d\u1ea5u v\u1ebft, v\u1ebft t\u00edch c\u1ee7a qu\u1ea7n \u00e1o nh\u01b0 h\u00ecnh h\u00e0i c\u1ee7a kho\u1ea3ng th\u1eddi gian m\u00e0 th\u00e2n th\u1ec3 v\u00e0 t\u00e2m h\u1ed3n t\u1eebng l\u01b0u l\u1ea1i, \u0111\u1ed3ng th\u1eddi \u0111\u1ec3 l\u1ea1i ghi ch\u00fa s\u00e1ng t\u00e1c: “N\u00f3 kh\u00f4ng bi\u1ebfn m\u1ea5t, m\u00e0 v\u1eabn c\u00f2n t\u1ed3n t\u1ea1i, ch\u1ed3ng ch\u1ea5t t\u1eebng l\u1edbp b\u00ean trong t\u00f4i cho \u0111\u1ebfn b\u00e2y gi\u1edd.”<\/p>\n<\/p>\n\n\n\n
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\"Nh\u1eefng<\/div>\n

[\ucf54\ub9ac\uc548\ud22c\ub370\uc774] Nh\u1eefng l\u1edbp k\u00fd \u1ee9c v\u1ebd b\u1eb1ng v\u1eadt d\u1ee5ng \u0111\u1eddi th\u01b0\u1eddng<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Ngo\u00e0i ra, h\u1ecda s\u0129 c\u00f2n th\u1ec3 hi\u1ec7n nhi\u1ec1u \u00fd th\u1ee9c ch\u1ee7 \u0111\u1ec1 \u0111a d\u1ea1ng tr\u00ean khung v\u1ebd qua c\u00e1c lo\u1ea1t t\u00e1c ph\u1ea9m kh\u00e1c nh\u01b0 ‘Being’ kh\u00e1m ph\u00e1 s\u1ef1 hi\u1ec7n h\u1eefu, ‘Story’ kh\u1eafc h\u1ecda cu\u1ed9c s\u1ed1ng th\u01b0\u1eddng nh\u1eadt qua ch\u1ea5t li\u1ec7u qu\u1ea7n \u00e1o, ‘Looking back’ v\u1ebd n\u00ean th\u1eddi gian cu\u1ed9c \u0111\u1eddi gi\u1eefa nh\u1eefng bi\u1ebfn chuy\u1ec3n c\u1ee7a thi\u00ean nhi\u00ean, v\u00e0 ‘Going With’ mang \u00fd ngh\u0129a v\u1ec1 s\u1ef1 \u0111\u1ed3ng h\u00e0nh.<\/p>\n<\/p>\n

H\u1ecda s\u0129 Kim Eun-sil \u0111\u00e3 t\u1ed5 ch\u1ee9c 22 tri\u1ec3n l\u00e3m c\u00e1 nh\u00e2n v\u00e0 tham gia h\u01a1n 120 tri\u1ec3n l\u00e3m m\u1eddi v\u00e0 tri\u1ec3n l\u00e3m nh\u00f3m, ho\u1ea1t \u0111\u1ed9ng ngh\u1ec7 thu\u1eadt r\u1ea5t s\u00f4i n\u1ed5i. B\u00e0 t\u1eebng nh\u1eadn gi\u1ea3i \u0110\u1ea1i th\u01b0\u1edfng t\u1ea1i Tri\u1ec3n l\u00e3m ngh\u1ec7 s\u0129 ng\u00f4i sao c\u1ee7a 7 t\u1ed5 ch\u1ee9c Hallyu thu\u1ed9c B\u1ea3o t\u00e0ng L\u1ecbch s\u1eed M\u1ef9 thu\u1eadt H\u00e0n Qu\u1ed1c (2023), gi\u1ea3i Ngh\u1ec7 s\u0129 xu\u1ea5t s\u1eafc nh\u1ea5t t\u1ea1i tri\u1ec3n l\u00e3m \u0111\u1eb7c bi\u1ec7t c\u1ee7a Vi\u1ec7n X\u00fac ti\u1ebfn M\u1ef9 thu\u1eadt H\u00e0n Qu\u1ed1c (2022), c\u00f9ng nhi\u1ec1u gi\u1ea3i th\u01b0\u1edfng kh\u00e1c nh\u01b0 gi\u1ea3i \u0111\u1eb7c bi\u1ec7t t\u1ea1i Cu\u1ed9c thi M\u1ef9 thu\u1eadt Ph\u1ee5 n\u1eef H\u00e0n Qu\u1ed1c, gi\u1ea3i nh\u1eadp tuy\u1ec3n t\u1ea1i \u0110\u1ea1i tri\u1ec3n l\u00e3m M\u1ef9 thu\u1eadt H\u00e0n Qu\u1ed1c. B\u00e0 c\u0169ng nh\u1eadn Gi\u1ea3i th\u01b0\u1edfng Th\u1ee7 t\u01b0\u1edbng n\u0103m 2012 v\u00e0 Hu\u00e2n ch\u01b0\u01a1ng Hongjo Geun-jeong n\u0103m 2025.<\/p>\n<\/p>\n

B\u00e0 c\u0169ng m\u1edf r\u1ed9ng ho\u1ea1t \u0111\u1ed9ng ra s\u00e2n kh\u1ea5u qu\u1ed1c t\u1ebf, tham gia Tri\u1ec3n l\u00e3m m\u1eddi qu\u1ed1c t\u1ebf H\u00e0n – Trung – Nh\u1eadt t\u1ea1i B\u1ea3o t\u00e0ng M\u1ef9 thu\u1eadt Yokohama, Nh\u1eadt B\u1ea3n (th\u00e1ng 4\/2026), Tri\u1ec3n l\u00e3m m\u1eddi Seoul World Art Expo t\u1ea1i Art Hall, H\u1ed9i qu\u00e1n ng\u01b0\u1eddi H\u00e0n \u1edf Toronto, Canada (th\u00e1ng 1\/2025), L\u1ec5 h\u1ed9i ngh\u1ec7 thu\u1eadt t\u1ea1i ph\u00f2ng tr\u01b0ng b\u00e0y Duru Duru, \u0110\u1ee9c (th\u00e1ng 9\/2024), v\u00e0 Tri\u1ec3n l\u00e3m qu\u1ed1c t\u1ebf K-Art do Trung t\u00e2m V\u0103n h\u00f3a H\u00e0n Qu\u1ed1c t\u1ea1i B\u1eafc Kinh, Trung Qu\u1ed1c t\u1ed5 ch\u1ee9c (2015). N\u0103m nay, b\u00e0 c\u0169ng d\u1ef1 ki\u1ebfn tham gia H\u1ed9i ch\u1ee3 Ngh\u1ec7 thu\u1eadt Qu\u1ed1c t\u1ebf Paris (th\u00e1ng 10) t\u1ea1i Carrousel du Louvre, Paris, Ph\u00e1p.<\/p>\n<\/p>\n

Hi\u1ec7n b\u00e0 l\u00e0 th\u00e0nh vi\u00ean c\u1ee7a Hi\u1ec7p h\u1ed9i M\u1ef9 thu\u1eadt H\u00e0n Qu\u1ed1c, H\u1ed9i Basil, Hi\u1ec7p h\u1ed9i M\u1ef9 thu\u1eadt Xanh H\u00e0n Qu\u1ed1c, Hi\u1ec7p h\u1ed9i Ngh\u1ec7 s\u0129 Qu\u1ed1c t\u1ebf H\u00e0n Qu\u1ed1c, \u0111\u1ed3ng th\u1eddi \u0111\u1ea3m nhi\u1ec7m vai tr\u00f2 thuy\u1ebft minh vi\u00ean (docent) t\u1ea1i B\u1ea3o t\u00e0ng M\u1ef9 thu\u1eadt Seoul. B\u00e0 l\u00e0 \u0111\u1ed3ng t\u00e1c gi\u1ea3 c\u1ee7a s\u00e1ch “Gi\u00e1o d\u1ee5c M\u1ef9 thu\u1eadt M\u1ea7m non” (NXB Hakmunsa) v\u00e0 “Ho\u1ea1t \u0111\u1ed9ng M\u1ef9 thu\u1eadt M\u1edf r\u1ed9ng T\u00e2m h\u1ed3n” (NXB Yekyung).<\/p>\n<\/p>\n

Th\u00f4ng tin tri\u1ec3n l\u00e3m<\/h2>\n