{"id":1084681,"date":"2026-10-05T19:30:19","date_gmt":"2026-10-05T10:30:19","guid":{"rendered":"https:\/\/thekoreantoday.com\/mapo\/2026\/10\/05\/yun-geum-dan-une-exposition-a-anseong-pour-partager-la-resonance-silencieuse-de-%e5%bf%83%e9%a2%86%e7%a5%9e%e4%bc%9a\/"},"modified":"2026-10-05T19:30:22","modified_gmt":"2026-10-05T10:30:22","slug":"yun-geum-dan-une-exposition-a-anseong-pour-partager-la-resonance-silencieuse-de-%e5%bf%83%e9%a2%86%e7%a5%9e%e4%bc%9a","status":"publish","type":"post","link":"https:\/\/thekoreantoday.com\/mapo\/2026\/10\/05\/yun-geum-dan-une-exposition-a-anseong-pour-partager-la-resonance-silencieuse-de-%e5%bf%83%e9%a2%86%e7%a5%9e%e4%bc%9a\/","title":{"rendered":"Yun Geum-dan : une exposition \u00e0 Anseong pour partager la r\u00e9sonance silencieuse de \u5fc3\u9886\u795e\u4f1a"},"content":{"rendered":"

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Yun Geum-dan, qui travaille sous le nom de Majia-mi \u00b7 Mugunghwa, traduit en peinture \u00e0 l\u2019huile la nature, la vie et les liens sensibles entre les personnes. Selon le parcours d\u2019exposition fourni par l\u2019artiste, apr\u00e8s une exposition personnelle en septembre \u00e0 Sanchon, dans le quartier d\u2019Insadong \u00e0 S\u00e9oul, elle pr\u00e9sente ses \u0153uvres du 1er au 15 octobre 2026 \u00e0 la galerie Music 319, \u00e0 Anseong, dans la province de Gyeonggi. Le th\u00e8me \u5fc3\u9886\u795e\u4f1a, que l\u2019on peut traduire par \u00ab une compr\u00e9hension intuitive, sans paroles \u00bb, d\u00e9signe ces instants o\u00f9 des \u00e9motions difficiles \u00e0 expliquer circulent silencieusement entre une \u0153uvre et son public.<\/p>\n

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L\u2019artiste d\u00e9crit Majia-mi comme le symbole d\u2019une rencontre pure et belle, et Mugunghwa, la fleur d\u2019hibiscus de Syrie, comme une fleur \u00e0 la fois douce et r\u00e9sistante. Tout comme les fleurs s\u2019\u00e9panouissent puis se fanent, l\u2019art lui appara\u00eet comme une succession de rencontres sinc\u00e8res permettant d\u2019exprimer son identit\u00e9. Elle a choisi ce nom lorsqu\u2019elle a d\u00e9cid\u00e9 de se consacrer pleinement \u00e0 la peinture, avec le d\u00e9sir de traduire l\u2019amour humain par le langage des couleurs et des images.<\/p>\n

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Bien qu\u2019elle dessine depuis l\u2019enfance, un tournant dans sa d\u00e9marche s\u2019est produit lorsqu\u2019elle a commenc\u00e9 \u00e0 d\u00e9passer la recherche de ressemblance. En souhaitant davantage inscrire ses sensations et ses \u00e9motions dans la toile, elle a donn\u00e9 un nouveau r\u00f4le \u00e0 la couleur et au geste. Les lumi\u00e8res et les ombres observ\u00e9es au cours de ses d\u00e9placements, ainsi que l\u2019atmosph\u00e8re de lieux travers\u00e9s, restent dans sa m\u00e9moire avant de devenir des images.<\/p>\n

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Le Plus Beau Mois d\u2019avril du monde exprime moins un paysage r\u00e9el que la douceur nostalgique ressentie devant des cerisiers en pleine floraison. Des tons d\u00e9licats et la profondeur de la composition \u00e9voquent une m\u00e9moire tant\u00f4t pr\u00e9cise, tant\u00f4t floue. L\u2019artiste pr\u00e9f\u00e8re laisser au spectateur un espace pour ses propres \u00e9motions plut\u00f4t que remplir chaque partie du tableau de d\u00e9tails.<\/p>\n

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La communion recherch\u00e9e dans \u5fc3\u9886\u795e\u4f1a ne consiste donc pas \u00e0 partager une seule interpr\u00e9tation. Elle souhaite que les visiteurs ne s\u2019arr\u00eatent pas aux formes reconnaissables, mais retrouvent des sensations proches de celles qu\u2019ils ont connues dans leur vie. Les espaces laiss\u00e9s ouverts dans la peinture deviennent ainsi des lieux o\u00f9 peuvent se rencontrer des souvenirs diff\u00e9rents.<\/p>\n

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Hommage \u00e0 toutes les m\u00e8res du monde exprime cette compr\u00e9hension mutuelle \u00e0 travers la posture de deux personnages. Dans cette huile de 200 \u00d7 150 centim\u00e8tres, r\u00e9alis\u00e9e en 2024, deux figures v\u00eatues de rouge s\u2019inclinent l\u2019une vers l\u2019autre. L\u2019artiste explique avoir pris pour point de d\u00e9part la compr\u00e9hension silencieuse entre les m\u00e8res et leur capacit\u00e9 \u00e0 se reconna\u00eetre. Les couleurs qui se diffusent dans le ciel et les corps courb\u00e9s transmettent une \u00e9motion calme et profonde.<\/p>\n

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Ses peintures de fleurs portent elles aussi des sentiments distincts. Le Murmure des papillons, la rose, une huile de 130 \u00d7 130 centim\u00e8tres r\u00e9alis\u00e9e en 2025, associe la rose \u00e0 la souplesse et \u00e0 la force de la vie des femmes, tandis que les papillons incarnent une vitalit\u00e9 libre et l\u00e9g\u00e8re. Sous la douceur de la fleur se trouvent \u00e9galement le manque et l\u2019attente.<\/p>\n

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\u00c9panouissement, r\u00e9alis\u00e9 en 2022, se concentre sur l\u2019\u00e9nergie d\u2019une vie qui se d\u00e9ploie. Sur une toile de 40 \u00d7 50 centim\u00e8tres, l\u2019artiste utilise l\u2019emp\u00e2tement et superpose la peinture au couteau pour cr\u00e9er des reliefs. Les fleurs abondantes et la surface rugueuse expriment une vitalit\u00e9 vigoureuse et sans artifice. Elle invite les visiteurs \u00e0 s\u2019approcher pour observer les creux et les saillies de la mati\u00e8re.<\/p>\n

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Maison de campagne, peint en 2023, pr\u00e9sente le m\u00eame format de 40 \u00d7 50 centim\u00e8tres, mais une atmosph\u00e8re plus paisible. R\u00e9alis\u00e9e en plein air, l\u2019\u0153uvre saisit la texture des maisons anciennes et des arbres. Les jeux de lumi\u00e8re et d\u2019ombre sur les toits et les murs traduisent la tranquillit\u00e9 du paysage rural.<\/p>\n

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Pour Yun Geum-dan, la figuration et l\u2019abstraction sont deux moyens de transmettre une sensation. Elle conserve les formes d\u2019un paysage ou d\u2019une fleur lorsqu\u2019ils portent un souvenir pr\u00e9cis. Lorsque l\u2019\u00e9motion ne se laisse pas d\u00e9finir par une forme, elle choisit l\u2019abstraction. La mani\u00e8re de construire l\u2019image d\u00e9pend ainsi de ce qu\u2019elle souhaite exprimer.<\/p>\n

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L\u2019\u00e9quilibre entre l\u2019\u00e9paisseur de la peinture et la transparence des couleurs est l\u2019un des aspects auxquels elle accorde le plus d\u2019attention. Apr\u00e8s avoir organis\u00e9 les valeurs du fond, elle ajoute de la mati\u00e8re dans certaines zones et applique ailleurs de fines couches en glacis. Selon elle, une texture trop \u00e9paisse peut rigidifier le tableau, tandis qu\u2019une couleur trop l\u00e9g\u00e8re peut manquer de force pour soutenir la composition.<\/p>\n

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Ses rencontres avec les publics de P\u00e9kin et de S\u00e9oul lui ont \u00e9galement r\u00e9v\u00e9l\u00e9 diff\u00e9rentes fa\u00e7ons de regarder une \u0153uvre. Elle garde notamment le souvenir d\u2019un visiteur qui, sans l\u2019interroger sur sa technique, lui a confi\u00e9 avoir ressenti une nostalgie paisible devant un tableau. Cet \u00e9change lui a fait percevoir combien les \u00e9motions intimes peuvent se rejoindre malgr\u00e9 les diff\u00e9rences g\u00e9ographiques.<\/p>\n

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L\u2019affiche d\u2019un \u00e9v\u00e9nement international fournie avec les documents annonce \u00e9galement Art Shopping Paris, qui se tiendra du 23 au 25 octobre 2026 au Carrousel du Louvre, \u00e0 Paris. Toutefois, cette affiche ne mentionne ni les artistes participants ni les \u0153uvres expos\u00e9es. La participation de Yun Geum-dan et les informations relatives \u00e0 ses \u00e9ventuelles \u0153uvres restent donc \u00e0 confirmer.<\/p>\n

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L\u2019artiste souhaite poursuivre ses recherches entre figuration et abstraction, en explorant la mani\u00e8re dont les textures et les couleurs portent les \u00e9motions. Elle indique pr\u00e9parer une nouvelle exposition de s\u00e9rie pour mars 2027, ainsi qu\u2019un troisi\u00e8me recueil r\u00e9unissant ses \u0153uvres repr\u00e9sentatives r\u00e9centes.<\/p>\n

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\u00ab Pour moi, la peinture est une mani\u00e8re d\u2019explorer continuellement mon monde int\u00e9rieur. \u00bb Par ces mots, Yun Geum-dan affirme son intention de continuer \u00e0 questionner et \u00e0 exp\u00e9rimenter. Dans son travail, la couleur et la mati\u00e8re montrent un paysage tout en ouvrant un chemin vers ce que les mots ne peuvent enti\u00e8rement exprimer.<\/p>\n

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[ Journaliste : Kim Hyun-su \u2014 incheoneast@thekoreantoday.com ]<\/p>\n

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\ud83d\udcf0 \uae30\uc0ac \uc6d0\ubb38 \ubcf4\uae30<\/a><\/p>\n

<\uc800\uc791\uad8c\uc790 \u24d2 \ucf54\ub9ac\uc548\ud22c\ub370\uc774(The Korean Today) \ubb34\ub2e8\uc804\uc7ac \ubc0f \uc7ac\ubc30\ud3ec \uae08\uc9c0><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 Yun Geum-dan, qui travaille sous le nom de Majia-mi \u00b7 Mugunghwa, traduit en peinture \u00e0 l\u2019huile la nature, la vie et les liens sensibles entre les personnes. Selon le parcours d\u2019exposition fourni par l\u2019artiste, apr\u00e8s une exposition personnelle en septembre \u00e0 Sanchon, dans le quartier d\u2019Insadong \u00e0 S\u00e9oul, elle pr\u00e9sente ses \u0153uvres du 1er … Read more<\/a><\/p>\n","protected":false},"author":8,"featured_media":-999999,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.thekorean.today\/imgdata\/smilestory_kr\/202610\/2026100514525357.jpg","fifu_image_alt":"","footnotes":""},"categories":[5],"tags":[13],"class_list":["post-1084681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-culture","tag-13"],"yoast_head":"\nYun Geum-dan : une exposition \u00e0 Anseong pour partager l... - \ucf54\ub9ac\uc548\ud22c\ub370\uc774<\/title>\n<meta name=\"description\" content=\"Yun Geum-dan, qui travaille sous le nom de Majia-mi \u00b7 Mugunghwa, traduit en peinture \u00e0 l\u2019huile la 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