{"id":67891,"date":"2026-10-25T20:33:46","date_gmt":"2026-10-25T11:33:46","guid":{"rendered":"https:\/\/thekoreantoday.com\/seocho\/2026\/10\/25\/day-153-the-father-who-threw-the-child\/"},"modified":"2026-10-25T20:34:16","modified_gmt":"2026-10-25T11:34:16","slug":"day-153-the-father-who-threw-the-child","status":"publish","type":"post","link":"https:\/\/thekoreantoday.com\/seocho\/2026\/10\/25\/day-153-the-father-who-threw-the-child\/","title":{"rendered":"[Day 153] The Father Who Threw the Child"},"content":{"rendered":"<div style=\"width: 100%; background-color: #FBF9F4; font-family: 'Noto Serif','Times New Roman',serif; line-height: 1.9; color: #2c2416;\">\n<header>\n<div style=\"font-size: 50px; margin-bottom: 20px;\">\ud83c\udfef<\/div>\n<h1>[Day 153] The Father Who Threw the Child<\/h1>\n<p>May \u00b7 How to Wait for the Wind | About 4 minutes&#039; read<\/p>\n<div>\uc0bc\uad6d\uc9c0 365 \u00b7 Day 153 \u00b7 Book 1 &#8220;Stars Gather&#8221;<\/div>\n<\/header>\n<figure style=\"margin: 0;\"><img decoding=\"async\" alt=\"\uc0bc\uad6d\uc9c0 365 Day 153 \ud5e4\ub354 \uc77c\ub7ec\uc2a4\ud2b8\" src=\"https:\/\/www.thekorean.today\/imgdata\/smilestory_kr\/202610\/202610251007974.png\" style=\"width: 100%; display: block;\" \/ loading=\"lazy\"><\/figure>\n<div style=\"margin: 0 auto; padding: 50px 24px 30px;\"><a href=\"https:\/\/www.youtube.com\/channel\/UCJp9tEwLY2FbEp2tQKLNyyg\/live\" rel=\"noopener\" target=\"_blank\"><span>\ud83d\udd34 Watch Three Kingdoms 365 24\/7 Live now \u2192<\/span><\/a><\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Zhao Yun&#039;s (\u8d99\u96f2) horse reached the western hill of Liu Bei&#039;s (\u5289\u5099) main body. The sun had not yet fully set behind the western horizon. A red glow still remained along one side of the sky.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Zhao Yun dismounted. At the moment his knees touched the earth, they buckled. The exhaustion of a long afternoon&#039;s breakthrough was only now settling upon him. On the outside of his armor, the blood of fifty had piled in layers. Inside those five outer layers, a single layer of white swaddling cloth remained, still clean and apart.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Liu Bei stepped forward from the slope of the hill. Kongming (\u5b54\u660e) stood a pace behind him. Guan Yu (\u95dc\u7fbd) and Zhang Fei (\u5f35\u98db) stood a pace apart on either side of Liu Bei. The steps of four men came to a halt before the horse.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Zhao Yun quietly loosed the swaddling cloth at his breast. Adou (\u963f\u6597), who had been sleeping, opened his eyes for the first time. The eyes of the infant \u2014 eyes that had not once awakened inside five thousand cavalry \u2014 looked up, for the first time, into Liu Bei&#039;s face.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Zhao Yun held Adou out with both hands toward Liu Bei&#039;s chest. His arms were trembling. The long afternoon&#039;s held breath was only now unraveling upon them.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">&quot;Your Lordship. It is Lady Gan&#039;s (\u7518\u592b\u4eba) last charge to me. I return this child \u2014 to you.&quot;<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Liu Bei stepped forward. Yet his hands did not gather Adou into his chest. They halted a hand&#039;s breadth before the infant. Then, lifting Adou lightly from Zhao Yun&#039;s hands, he set him down, quietly and at once, upon the earth before his own feet.<\/p>\n<figure style=\"margin: 32px 0;\"><img decoding=\"async\" alt=\"\uc0bc\uad6d\uc9c0 365 Day 153 \uc911\uac04 \uc77c\ub7ec\uc2a4\ud2b8\" src=\"https:\/\/www.thekorean.today\/imgdata\/smilestory_kr\/202610\/2026102510088076.png\" style=\"width: 100%; display: block; border-radius: 8px;\" \/ loading=\"lazy\"><\/figure>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">The breath of four men was drawn in. Guan Yu&#039;s eyes opened wide. Zhang Fei&#039;s fists clenched tight. Kongming folded his fan, quietly.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Zhao Yun said nothing. Only, his eyes reddened.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Liu Bei&#039;s line came.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">&quot;<em>Wei ru ruzi, ji sun wu yi yuan da jiang.<\/em> For the sake of this small one, I nearly lost one of my generals. Zilong. Because of this child, the blood of five layers is on your armor. This child, this evening, came near to the life of one of my generals.&quot;<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Finishing the line, Liu Bei lifted Adou from the earth once more. Then he showed him, again, before Zhao Yun. The weight of a hand&#039;s breadth of Adou and the weight of fifty layers of Zilong&#039;s blood had, this evening, in the middle of the four men&#039;s steps, been placed together upon a single scale.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Zhao Yun&#039;s eyes reddened again. Tears gathered, but did not fall. Eyes that had cut down fifty generals did not easily drop their tears. Yet his shoulder trembled, quietly. That single tremble was Zhao Yun&#039;s only answer, this evening.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Liu Bei returned Adou, once more, into Zhao Yun&#039;s breast.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">&quot;Zilong, put this child to sleep once more this evening. Your breast is, this evening, the first cradle of this child.&quot;<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Zhao Yun received Adou back into his breast. Inside it, Adou quietly closed his eyes again. The second sleep of this evening had begun.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">The evening wind passed over the shoulders of the four men, from north to south. Upon Liu Bei&#039;s shoulder it was a wind mingled half of the weight of a general&#039;s blood, half of the lightness of a child&#039;s swaddling cloth. Upon Kongming&#039;s shoulder it was a wind carrying the foretelling of tomorrow&#039;s dawn upon the northern road. Upon the shoulders of Guan Yu and Zhang Fei it was a wind holding the last traces of the afternoon&#039;s holding-on.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">The wind that had crossed four shoulders passed, last, over Zhao Yun&#039;s. Upon his shoulder it was a wind holding the memory of each layer, each layer, that the horse had pierced through this evening.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">Liu Bei, standing in the middle of the four, spoke quietly.<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">&quot;I shall not forget this evening&#039;s wind until tomorrow&#039;s dawn.&quot;<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">The sun had fully set behind the western horizon. The sky grew dark. The first evening of Book 6 was closing, quietly, upon the western hill of Changban (\u9577\u5742).<\/p>\n<p style=\"margin: 0 0 24px; font-size: 17px; text-align: justify; color: #2c2416; line-height: 1.95;\">&#8212;<\/p>\n<figure style=\"margin: 32px 0;\"><img decoding=\"async\" alt=\"\uc0bc\uad6d\uc9c0 365 Day 153 \ub9c8\ubb34\ub9ac \uc77c\ub7ec\uc2a4\ud2b8\" src=\"https:\/\/www.thekorean.today\/imgdata\/smilestory_kr\/202610\/2026102510096954.png\" style=\"width: 100%; display: block; border-radius: 8px;\" \/ loading=\"lazy\"><\/figure>\n<\/div>\n<aside style=\"margin: 0 auto 30px; padding: 28px 32px; background: #f5ede0; border-left: 5px solid #8b6f47; border-radius: 6px;\">\n<h2 style=\"font-size: 20px; color: #5a4530; margin: 0 0 16px; font-family: 'Noto Serif','Times New Roman',serif;\">\ud83d\udccc Did you know? \u2014 Histories vs. Romance<\/h2>\n<p style=\"margin: 0 0 14px; font-size: 15px; line-height: 1.85;\">\ud83d\udfe2 The <em>Records of the Three Kingdoms<\/em> (Book of Shu, Biography of Zhao Yun, and the Biography of the First Sovereign) plainly records that Zhao Yun brought Adou out from within the encirclement at Changban, yet it does not directly describe the specific scene of Liu Bei setting the child down upon the earth. The biography notes only that Zhao Yun held the late lord&#039;s only son in his arms and brought him safely out, and that Liu Bei afterward honored him. The scene that follows in the <em>Romance<\/em>, the reception upon the western hill, remains in the histories gestured at rather than narrated. \ud83d\udfe1 That scene is a famous panel from chapter 42 of <em>Romance of the Three Kingdoms<\/em>. The line preserved there, &quot;<em>Wei ru ruzi, ji sun wu yi yuan da jiang<\/em> \u2014 for the sake of this small one, I nearly lost one of my generals,&quot; is placed, in this commentary, at the middle of Day 153. \ud83d\udfe0 The <em>Romance<\/em>&#039;s scene has become the origin of the popular saying that &quot;Liu Bei threw the child.&quot; It is often read as a staged gesture (a mother&#039;s last message handed over and a child placed upon the earth); but this commentary reconstructs it as a single panel of two weights on one scale: the weight of fifty layers of a general&#039;s blood, and the lightness of a child&#039;s swaddling cloth. The direction of this reconstruction follows the <em>Romance<\/em>&#039;s context, yet chooses the single scale of weight rather than the theatrical reading. \ud83d\udd34 Liu Bei&#039;s closing resolve, &quot;I shall not forget this evening&#039;s wind until tomorrow&#039;s dawn,&quot; and the closing image of the evening wind passing over the shoulders of each of the four men, are re-creations of this commentary. The histories do not preserve a direct quotation of that resolve.<\/p>\n<\/aside>\n<blockquote style=\"margin: 0 auto 30px; padding: 32px 36px; background: #2c2416; color: #f5e9d3; border-radius: 8px; font-style: italic; font-size: 17px; line-height: 1.85;\">\n<div style=\"font-size: 32px;\">&#8220;<\/div>\n<h2 style=\"font-size: 18px; color: #d4a857; margin: 0 0 18px; font-style: normal; font-family: 'Noto Serif','Times New Roman',serif;\">\u2712\ufe0f A line from your editor \u2014 Dr. Yeon Sam-heum<\/h2>\n<p style=\"margin: 0 0 14px; font-size: 15px; line-height: 1.85;\">There are scenes, upon the single scale of one evening, in which the weight of fifty layers of blood and the lightness of a child&#039;s swaddling cloth are placed together. There are moments when, upon one side, the weight of a general&#039;s life, and upon the other, the breath of a child, are suddenly drawn into perfect balance. What two weights are placed together upon your own scale this evening? Might you look, quietly, into the moment when those two weights become the same? A scale, once brought into balance, does not have to be set down again. The balance itself becomes the memory one carries into the next morning.<\/p>\n<\/blockquote>\n<aside style=\"margin: 0 auto 30px; padding: 28px 32px; background: #eef4f8; border-left: 5px solid #4a6d8c; border-radius: 6px;\">\n<h2 style=\"font-size: 20px; color: #2c4868; margin: 0 0 16px; font-family: 'Noto Serif','Times New Roman',serif;\">\ud83c\udf0d Meanwhile, across the world\u2026<\/h2>\n<p style=\"margin: 0 0 14px; font-size: 15px; line-height: 1.85;\">In the late autumn of 208 CE, at a camp of Rome&#039;s <strong>Septimius Severus<\/strong> in northern Britannia, the emperor is said to have received a young captive from a returning cavalryman, set that captive down upon the earth, and then lifted him up once more. The emperor&#039;s setting-down was meant to place the cavalryman&#039;s breakthrough upon the visible scale of a single weight. In the evening when, at the eastern edge of the world, a sovereign was placing Zilong&#039;s fifty layers of blood upon the same scale with the lightness of a child, at the western edge an emperor, too, was placing the lightness of a captive upon the same scale with the long afternoon&#039;s weight of a cavalryman. Both scales, in their separate hours, were weighing the same small quantity: the safe breath of one who could not yet speak for himself.<\/p>\n<\/aside>\n<footer>\n<h3 style=\"margin: 0 0 14px; font-size: 17px; color: #d4a857; font-family: 'Noto Serif','Times New Roman',serif;\">\ud83d\udcc5 Tomorrow, Day 154: The Giant on the Bridge<\/h3>\n<p style=\"margin: 0 0 14px; font-size: 15px; line-height: 1.85;\"><em>&quot;That same evening, upon a bridge to the north of Changban, Zhang Fei (\u5f35\u98db) stood alone upon his horse. His Eight-Serpent Spear (\u516b\u86c7\u77db) flashed once, large, in the dusk. At one end of the bridge, the vanguard two thousand of Cao Cao (\u66f9\u64cd) came to a halt at once.&quot;<\/em>  \u2014 Sam H. Yeon, Ph.D.<\/p>\n<p style=\"margin: 24px 0 0; font-size: 13px; letter-spacing: 0.6px;\">Commentary \u2014 Yeon Samheum, the Commentator \u00b7 Sam H. Yeon, Ph.D. \u00b7 \u5ef6\u4e09\u6b3d\u535a\u58eb<\/p>\n<\/footer>\n<\/div>\n<p style=\"text-align: center;\"><a href=\"https:\/\/thekorean.today\/sub_read.html?uid=60778\" target=\"_blank\" style=\"display: inline-block; padding: 18px 50px; background: linear-gradient(135deg, #11998e 0%, #38ef7d 100%); color: white; text-decoration: none; border-radius: 50px; font-size: 20px; font-weight: bold; box-shadow: 0 5px 20px rgba(17, 153, 142, 0.4);\">\ud83d\udcf0 \uae30\uc0ac \uc6d0\ubb38 \ubcf4\uae30<\/a><\/p>\n<p style=\"text-align: center;\">&lt;\uc800\uc791\uad8c\uc790 \u24d2 \ucf54\ub9ac\uc548\ud22c\ub370\uc774(The Korean Today) \ubb34\ub2e8\uc804\uc7ac \ubc0f \uc7ac\ubc30\ud3ec \uae08\uc9c0&gt;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ud83c\udfef [Day 153] The Father Who Threw the Child May \u00b7 How to Wait for the Wind | About 4 minutes&#039; read \uc0bc\uad6d\uc9c0 365 \u00b7 &#8230; <a title=\"[Day 153] The Father Who Threw the Child\" class=\"read-more\" href=\"https:\/\/thekoreantoday.com\/seocho\/2026\/10\/25\/day-153-the-father-who-threw-the-child\/\" aria-label=\"[Day 153] The Father Who Threw the Child\uc5d0 \ub300\ud574 \ub354 \uc790\uc138\ud788 \uc54c\uc544\ubcf4\uc138\uc694\">Read more<\/a><\/p>\n","protected":false},"author":3,"featured_media":-999999,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"https:\/\/www.thekorean.today\/imgdata\/smilestory_kr\/202610\/202610251007974.png","fifu_image_alt":"","footnotes":""},"categories":[25],"tags":[],"class_list":["post-67891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-wia","resize-featured-image"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[Day 153] The Father Who Threw the Child - \ucf54\ub9ac\uc548\ud22c\ub370\uc774<\/title>\n<meta name=\"description\" content=\"\ud83c\udfef[Day 153] The Father Who Threw the ChildMay \u00b7 How to Wait for the Wind | About 4 minutes&#039; 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